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Dan Christensen, the American abstract painter, was born in Cozad, Nebraska on October 6, 1942, he died in Easthampton, New York on January 20, 2007. He is best known for paintings that relate to Lyrical Abstraction,〔Ashton, Dore. Young Abstract Painters: Right On! Arts v. 44, n. 4, February, 1970, pp. 31-35.〕 Color field painting and Abstract expressionism.〔() retrieved June 2, 2010〕 His early work from 1965-1966 was related to Minimalism. A graduate of the Kansas City Art Institute, class of 1964, Dan Christensen moved to New York City from the Mid-West during the late summer of 1965. Christensen was represented by several influential galleries including the Andre Emmerich Gallery, the Salander/O'Reilly Gallery and various others throughout the United States and Europe. He has had more than seventy-five solo exhibitions and his work has been included in hundreds of group exhibitions. His paintings are in important museum collections throughout the United States and Europe. ==Art world beginnings== Dan Christensen arrived in New York City in the summer of 1965 from the Mid-West, with the purpose of establishing himself as an important contemporary abstract painter. With his friend from Iowa - the painter David Wagner, he rented a loft on Great Jones Street in lower Manhattan. After several months of experimenting on new abstract paintings with interlocking rectangular "L" shapes in shades of tan, grey, ochre and brown that resembled jigsaw puzzles in oil paint, he began to use acrylic paint. Christensen began painting the series of abstract paintings for which he became first known - his Minimal "Bar" paintings in the spring of 1966. After Dave Wagner returned to Iowa in March 1966, his friend the painter Ronnie Landfield shared his Great Jones Street loft with him until the early winter of 1967.〔Exhibition Catalogue, ''Ronnie Landfield: Paintings From Five Decades,'' The Butler Institute of American Art, ''Seeking the Miraculous,'' pp.5-6 ISBN 1-882790-50-2〕 Dan Christensen was part of a large circle of young artists who had come to Manhattan during the 1960s. Kenneth Showell, Peter Young, Michael Steiner, Ronnie Landfield, Dick Anderson, his brother Don Christensen, Peter Reginato, Carlos Villa, David R. Prentice, James Monte, Frosty Myers, Tex Wray, Larry Zox, Larry Poons, Robert Povlich, Neil Williams (artist), Carl Gliko, Billy Hoffman, Francine Tint, Lee Lozano, Pat Lipsky, John Griefen, Brice Marden, John Chamberlain, Donald Judd, Frank Stella, Carl Andre, Dan Graham, Robert Smithson, Robert Rauschenberg, Andy Warhol, Kenneth Noland, Clement Greenberg, Bob Neuwirth, Joseph Kosuth, Mark di Suvero, Brigid Berlin, Lawrence Weiner, Rosemarie Castoro, Marjorie Strider, Dorothea Rockburne, Colette, and Marisol were just a few of the artists he saw regularly at Max's Kansas City - the favorite place for artists in New York City during the 1960s.〔''High on Rebellion: Inside the Underground at Max's Kansas City'', by Yvonne Sewall-Ruskin, forward by Lou Reed, Thunder's Mouth Press NYC. 1998, pp.2-105〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Dan Christensen」の詳細全文を読む スポンサード リンク
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